Judy Cabbages on Photography

Learning the Nikon D700 and photography

Archive for the ‘General’ Category

D700 firmware update to v1.01

Posted by judycabbages on 2009-05-17

This is old news, from January, but there has been a D700 firmware update. V1.01 (of boththe a and b portions) of the firmware are available from http://nikoneurope-en.custhelp.com/app/answers/detail/a_id/26608

The issues fixed are very very minor, things that I had never noticed. If you are into long exposure shots and make use of Long exp. NR, then it might be an upgrade that you are particularly interested in:

An issue that, in extremely rare cases, resulted in noticeable black dots in images captured with Long exp. NR in the shooting menu set to On has been resolved.

Some SB800 and Battery Pack MB-D10 issues have also been fixed.

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Posing a face

Posted by judycabbages on 2009-03-20

I’m supposed to be witting this blog so that I don’t forget… but I did forget! I watched an interesting video, thought “wow, I must save that”, and then promptly forgot to do so :(

Today I spent ages searching for it again. At long last I found it.

Threatening grass

Here’s a shot that I like, I even like the fun text with it (click on the photo to read that) but I’ve never been 100% happy with the face angle.

Threatening grass

D300 + Nikkor 85mm f1.4 + SB800 + SB600 at ISO200, 85mm, f2.8, 1/80sec

Rembrandt Lives

David Ziser of Digital Pro Talk gives a great 15 minutes presentation called Rembrandt Lives on posing a face for portrait shots. He says:

Classical portraiture is an important starting point in becoming a good “people photographer”. By knowing the classical basics, we can do out best at creating the and most flattering images for are clients.

It is probably the of stuff that is taught in the first year of a photography course, but since I’ve never done any such courses it was all new and interesting to me. Also, it addressed something that I was starting to get an inkling of in my portraits – how do I angle the face? I hadn’t yet found anything that explains a such concept, and then I stumbled across David’s video which does it so well. Now I’ve got to put it into practice, and then learn to break those rules.

I’m not certain that “Threatening grass” above can be improved by following one of the classical poses; perhaps it is one of those cases where the rules have to be broken.

My notes

These are my notes to act as a memory jogger for me, but make sure that you watch the video; David goes into depth about the poses and suggestions on use.

Full Face Here’s lookin’ directly at you babe

  • The axis of the subjects face is in line with the lens axis.
  • Pupils are centred in the whites of the eyes.

2/3′s View It defines the mask of the face and is not dependant on the eye direction

  • Inside corner of the eye lines up with the tip of the nose. Outside eye always contained in far side of face.
  • Don’t let the tip of the nose break the check line, and/or don’t let the far eye hang out in space.

Modified 2/3′s View

  • The axis of the subjects face is not quite 2/3s View.
  • Pupils slightly decentered in the whites of the eyes.
  • Even a little white of the eye shows at the bottom of the eye.

Profile View

  • Exactly half of the face.
  • Only look for far eye lashes, not eye ball, eye lid or check.
  • Pupils looking slight towards the camera side to give centred appearance and reduce eye white on the side. Chin down a fraction to get eyes looking slightly up.
  • Keep profile clean.

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Just starting?

Posted by judycabbages on 2009-03-12

A friend of mine has bought a Fujifilm FinePix S2000HD for a safari trip and asked me “Help!” I offered to go along on the safari to take the photos for him (as long as he covered my expenses, of course), but what he actually wanted was help with understanding photography :(

So anyway…

I found this great series of articles that explain the basics of photography. If you are just starting out, then perhaps you’ll find them a good introduction too. The clear explanations, diagrams and exercises really make this series a brilliant tutorial, particularly lessons 4, 5 and 6.

Lesson 1: Light and the Pinhole Camera
Lesson 2: Lenses and Focus
Lesson 3: Lenses, Light and Magnification
Lesson 4: Exposure and Stops
Lesson 5: Aperture
Lesson 6: Shutter
Lesson 7: ISO
Lesson 8: The Light Meter

They say:

In this series, we cover all the basics of camera design and use. We talk about the ‘exposure triangle’: shutter speed, aperture and ISO. We talk about focus, depth of field and sharpness, as well as how lenses work, what focal lengths mean and how they put light on the sensor. We also look at the camera itself, how it works, what all the options mean and how they affect your photos.

Questions and answers on this series have been posted to Question Time.

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Focus on Imaging

Posted by judycabbages on 2009-03-03

A few shots from the Focus on Imaging expo.

Gear, printing, presentations thinly veiled sales pitches and lighting

Focus On Imaging 2009

D700 + Nikkor 85mm f1.4 + Nikkor 24-70mm f2.5

Haute dryad

I got kicked off the Hasselblad stand for sullying their model with my Nikon :) They were letting people shot this model with demonstration Hasselblads – obviously that would not be a good enough test to decide if you were going to spend £50,000+ but at least you could have a play.

Haute dryad

D700 + Nikkor 24-70mm f2.5 at ISO800, 70mm, f4.5, 1/640sec

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Focus on Imaging

Posted by judycabbages on 2009-03-03

I spent last week in Birmingham and visited the Focus On Imaging 2009 photography expo. It is my very first time attending such an event. It was almost as I expected it.

I had expected stalls selling stuff. I hadn’t expected hard sell. I had expected presentations. I hadn’t expected thinly veiled sales pitches. And I had expected to meet interesting people. But I hadn’t expected so much clambering for my credit card. Basically, I enjoy photography purely for fun, so I’ve never really encountered the hard face of the business side. I got a scary glimpse of that at the expo.

Everywhere was sell sell sell. There were people selling gear to photographers, guides to photographers, albums to photographers, software to photographers, almost everything you could possibly want from super expensive medium format Hasselblads to lens wipes were available. Almost everything; I couldn’t find any SB28′s.

The presentations

There were numerous presentations held at various booths and stages throughout the day – with many happening at the same time so that when I tired of one, I could simply wander to another.

Some presentations were good, they started with information, tips and tricks or suggestions and they would segue into a sales pitch. Pretty much all of the software presentations were very small tips on how to do something in their own software which unbelievably no other software could do, and therefore, you really needed to buy it – apparently. Some presentations were horrible slick snake-oil hard-sells trying to push silver bullet gadgets that would solve photography problems. I really hope that people were not suckered into buying such junk. While listening to anything from any stall holder, I had to have my metal filtering and bullshit-guard turned all the way up to 10!

One of the more popular presentations was the strobist demos by The Flash Center. They gave a very brief overview of what strobist was that would confuse anyone who was not familiar with it, and bore anyone who was. But after setting up some gear and taking some shots, it became clear. It was weird that even though they were using cheap stands, flashes and umbrellas, they were taking the photos with a £25,000 PhaseOne camera. It was also weird that they would show the shots on a few monitors and try to explain why one was better than the other thanks to some strobist concept and their gear, but the differences were sometimes too subtle to perceive in such a rapid presentation. The only thing I got out of it was how big some of the stands that I am interested in are, and that many people are interested in strobism.

The PocketWizard demos were also popular, no doubt because of the strobism popularity. I was interested in the new TTL PocketWizard but there was actually very little hard info them other than release dates and that they’ll sync at 1/500th. I’ll wait for reviews.

Another popular presentation was on freelance work by RedEye. The reason that it was popular was obvious; many prosumers would like to make some money, but also the presentation was factual. It was sales-lite. Sadly, I got a phone call and missed most of it.

At one demo, a person asked the speaker “how can you justify your high prices (to take photos)?”. The presenter then gave a little rant about Flickr folk “who suddenly think that they can take good photos and so they start doing jobs”. It was clear that this is a tetchy subject for him. I wonder if they person who asked it knew that – if he did, well done :) Ultimately the presenter did not give a good answer, or even any real answer, but he showed that he was angry and perhaps a more little scared of the encroaching Flickrities. Another presenter also conveyed the same sentiment – that Flickr people were not worthy, and that they were probably eating into his business. Perhaps I can understand why they might be losing business; the photos taken by those two presenters might be good, but I wouldn’t want to sit down and share a drink with them!

Software

It should not haven been a surprise to me, but it was – there was a huge amount of software being pushed. Either library management or just plain old photo-editing. I never knew that there was so much available, but I have never looked before.

Sadly, I can’t think of a single software demo that was good. Everyone single one would give a few tips, and then explain why their software was the best and how it was absolutely the one that you wanted. I wondered if people would ask good questions at the end, so I hung around listening to a PhaseOne software demo, but the questions were all about the photos themselves and the photographer who had made the presentation. They all probably felt the same as me, “enough of the software, tell me, how did you get that shot?”.

There were also lots of accompanying DVD covering pretty much everything – tutorials or guides on how to use some piece of software, a camera, how to take protrait shots and on and on and on. It was rare if a presentation completed without some mention of a DVD, especially if it was being given by photography on behalf of a software company, then he (I never saw a female presenter) would also push his own photography DVD as well.

Gear

There was tonnes and tonnes of gear to goggle at. The things impressed me the most were the huge printers slowly churning out fantastic prints, and surprisingly, the film medium format cameras. I liked the film medium format cameras for their engineering – and using the light table to look at some amazing shots. There was only one other film booth that I could find, everything else was digital.

Well, not everything was digital. There were bags, tripods, reflectors, books, insurances, places to study photography… so much to see. And that was good – I was able to browse so much in a day with some easy wondering, and actually see the items for real, try them out and ask questions, instead of just seeing picture on a website. What was lacking were all the (hopefully impartial) reviews that are available on the web. I don’t think that I would buy anything without at least reading some reviews – maybe that is why I didn’t buy a single thing.

There were some good deals being offered. Discounts on many things brand new and even bigger discounts on demo items. One that stood out was Nikon Capture NX on sale for only £50 (instead of the usual £100+).

There was an interesting product that I had never heard of before but obviously it is not a new idea since there were a few competing offers from different photographers. And it did seem to be only photographers who were selling this, not any particular store. They were selling flash cards on “How to shot a wedding”. The small deck of cards, usually held together by a metal ring, show what shots to take for a wedding. Each card had an example of a shot, and some text describing it. The idea is that you can simply follow the instructions and examples on the cards and cover the whole wedding. Quite a good idea I though for people who have never done wedding or have no idea on how to do it. But I didn’t buy one – they were outlandishly overpriced!

The people

But this was the best part – I meet loads of interesting people and enjoyed talking them most. Of course, they were not the ones trying to sell me something. The first thing that they want to establish is what kind of photographer you are – amateur, pro… – then, what you photograph – portaits, landscapes… – and then, what gear to do you use – Nikon, Canon, HasselBlad… Once through the techno-geek babel and comparing “my flux capacitor is bigger than your flux capacitor”, it was good to talk with them.

So, would I go again?

The easy answer is no. Not unless I had a shopping list and knew that the good deals would probably be available for the gear I wanted. Everything else, I can get from the web or friends. Without the hard-sell. Maybe it is more suited to pros with bigger budgets – but there was a MooCard booth :)

Oh, and I got kicked off the Hasselblad stand for using my Nikon :)

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Dryburgh Abbey

Posted by judycabbages on 2009-03-01

Today I went to Dryburgh Abbey with a few other Flickrites. It was great to spend a day with them, the weather could not have been a better spring day, and Dryburgh Abbey is an amazingly peaceful place to visit… but… I’m just not that much into architecture photography.

I think that I can look at building and admire it from an aesthetic point of view, and probably even more from an engineering point of view. I also think that I can appreciate the work to create amazing buildings, it’s symbolism and meaning but when I try to photograph them, I know that I fail badly. What I don’t know is why I suck as architecture photography.

Am I useless at it because I don’t find it as interesting as people photos, is it because I simply don’t know the mechanics of how to take a good building photograph? Most likely, it is some complex codependent mix of both. But I do know that when I’m photographing people, I enjoy it a lot. And that when I’m photographing buildings, I enjoy it a little less.

Should I force myself to learn architecture photography, to take more building shots? Should I get a book or two, or a wide angle lens? I would like to, but for now, I think not. Instead, give me a room full of people and I’ll happily photograph them, while my Flickr friends, some of whom are simply the most outstanding architecture photographers, can photograph the room. I don’t know how they do it, but they can really create some magic. Since photography is a fun hobby for me, I have the luxury to pick and choose what I photograph, so I’ll continue to enjoy what I enjoy – people photography, and a day with my Flickr friends. Even if it does mean going to such splendid sites such as Dryburgh Abbey :)

Is it spring yet?

Is it spring yet?

D700 + Nikkor 24-70mm f2.5 at ISO200, 24mm, f8, 1/100 sec

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Transform

Posted by judycabbages on 2009-03-01

You gotta see this! Transform – a Short Film for Photographers by Zack Arias.

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Reading blogs

Posted by judycabbages on 2009-02-28

I read tones of blogs, and not just the few photography ones that I list here. To get through them fast, I use Firefox and the add-on Brief. Brief very clearly and simply formats content, so that I can very quickly skim all the articles, discard the ones I’m not interested in, and cherry pick the ones that I want to read. Along with Adblock Plus to block adverts, makes keeping up to date with RSS feeds a breeze.

A new feed I’ve been looking at over the last few days is The Wall Street Journal Photos. From a pool of photographers around the world, twenty or so stunning per day photos are shown. I often wonder “How did they get that shot?”. It was interesting to see that a wide angle lens is used so often; it is very different from the usual head shots I just do.

Another blog I read is Mithraea of a very accomplished and talented photographer. I like his easy going personal writing style. I look forward to seeing more from him.

And finally, 10 Really Useful Flickr Greasemonkey Userscripts for those of you who really love to customise Firefox and the way that Flickr works. This lead me to yet another blog that I’ve started reading, Digital Photography School. It covers a lot of Photoshop techniques, as well as different effects and styles of photography.

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Yet another blog, and a brilliant post

Posted by judycabbages on 2009-02-14

No, I’m not saying that this is a brilliant post; I’ve found a brilliant post on yet another blog I’ve just discovered, The Online Photographer. But unlike my most recent blog addition, A Photo A Day, The Online Photographer is much more than a link to other blogs with the occasional entry. The Online Photographer has a great mix of technical articles, reviews and thoughts from different authors. One brilliant post that I really liked, along with many others, is Memories No More.

I am very tempted to drop the A Photo A Day blog in favour of this one.

It was a little hard to find the rss feed for The Online Photographer, so just in case, here is it: http://feeds.feedburner.com/typepad/ZSjz.

[Edit] I’ve now decided I’m going to drop the A Photo A Day blog. Even if it is just one link a day to another blog, I know that without content or context, I am very unlikely to visit that blog. And that would annoy me. I might miss out on things that are exactly what I’m after, instead, I’ll find other things that are exactly what I’m after elsewhere.

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A new blog I’ve started reading

Posted by judycabbages on 2009-02-12

I’ve starting a reading a new blog but I might remove it from my list because it is a time vampire! A Photo A Day often only contains a link to an excellent blog, but sometimes there are articles and photos. So far, I haven’t seen much in way the tutorials and instruction – haven’t looked back at older posts, and with all the links to other bogs I’m sure it’s there somewhere.

And that is where I find it a bit a time of a time waster for me. There are so many links to inspiring photos and articles, but it doesn’t feel coherent and there isn’t enough learning for a beginner for me. It is good for browsing, I’ll keep reading for now and see how I go.

For the other blogs I read, see Blog I Read.

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